Carrie Chappell reading maternA by Hélène Bessette in December 2018.

(Photo by Nataly Wildheart.)


Carrie Chappell is a poet, essayist, translator, researcher, and educator. She is the author of Loving Tallulah Bankhead (Paris Heretics, 2022) and Quarantine Daybook (Bottlecap Press, 2021). Her recent poetry has been included in The Southern Poetry Anthology, Volume X: Alabama (TRP: The University Press of SHSU 2023); Iron Horse Literary Review; Juke Joint, Nashville Review, Redivider, and SWIMM. Her lyric and book essays have been published in DIAGRAMFanzine, New Delta Review, The Iowa Review, The Rumpus, The Rupture, and Xavier Review. With Amanda Murphy, she co-translated Cassandra at point-blank range by Sandra Moussempès (Diálogos 2025).

Over the last eleven years, Carrie has taught literature, literary translation, creative writing, American Civilization, and rhetoric and composition for institutions such as University Paris 1 Panthéon-Sorbonne, CY Cergy Paris University, University Sorbonne-Nouvelle, University Paris Dauphine-PSL, and Oxbridge Academic Programs.

Originally from Birmingham, Alabama, Carrie holds a Master of Fine Arts from the Creative Writing Workshop at the University of New Orleans. In 2015, she founded Verse of April, the digital anthology of homage to the poets, and now runs its companion reading series, Mnemosynes. She also writes Spiritual Material: Musings from My Second-Hand, Parisian Wardrobe via Substack. Carrie is currently completing her research-creation projects on the poetic novels of Hélène Bessette as a doctoral student in French Literature at CY Cergy Paris University. She teaches English as a Foreign Language at Conservatoire national des arts et métiers (CNAM) and lives in Paris, France.

Interviews

Twitter & Instagram: @chapp010. Youtube.

All text copyright © Carrie Chappell, 2013-2024. All rights reserved.

Home page photo of Carrie Chappell by Augusta Sagnelli.



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